Here I am, lying on my bed (which this year stands several feet off the ground) watching Seabiscut and attempting to conclude this paper on controversies amongst women within the first and second waves of feminism. Of course, I can’t. I am so absorbed in the movie that my soul aches more and more with each passing scene.

Sometimes I think my heart may break with want of my Ham, yearning for the familiar feeling of swinging my leg up over a horse’s back, settling back into my saddle, its seat imprinted to my butt and legs, a perfect fit and silence but for the measured breaths of my horse beneath me and the beating of my own heart. There is only a little more than a week left before I am free of finals and homeward bound, but in this moment, a week feels like forever.

Home is where you find yourself more complete than anywhere else. For me, I am more myself on the back of a horse than anywhere else in this wide world. As an artist draws her brush against canvas, moving paint over paper in fluid waves, I have been moved to move in union with another animal. Each movement, an expression of unified intention.

I am ready to go home.